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- Nosferatu - 2024
- VOL.008-NOV.2025
- Smile 2 - 2024
- Terrifier 3 - 2024
- The Substance - 2024
- Wicked - 2024
- A Real Pain - 2024
- Deadpool and Wolverine - 2024
- Dream Scenario - 2024
- Heretic - 2024
- Jurassic World Rebirth - 2025
- Mad God - 2021
- Mandy - 2018
- Mickey 17 - 2025
- Oddity - 2024
- One Battle After Another (2025)
- Predator Badlands (2025)
- Sleepy Hollow - 1999
- The Lighthouse - 2019
- The Naked Gun - 2025
- The Shining - 1980
- Toxic Avenger - 2023
- Tron:Ares - 2025
- VHS Beyond - 2024
- Weapons - 2025
- mother! - 2017
- 12 Monkeys - 1995
- Alice In Wonderland - 1951
- American Psycho - 2000
- Anora - 2024
- Avatar 3 - 2025
- Beetlejuice Beetlejuice - 2024
- Being John Malkovich - 1999
- Black Christmas - 1974
- Black Swan - 2010
- Brazil - 1985
- Bugonia - 2025
- Caveat - 2020
- Chopping Mall - 1986
- Dark City - 1998
- Death of a Unicorn - 2025
Keeper
2025 - R - 8/10 - Nightmare fuel but Osgood Perkins, ymmv.
Osgood Perkins can’t seem to get out of his way with some people but for other people he seems to be hitting all the right notes. I think his divisiveness comes not from style vs substance but, instead, how far vibes can take you in a film. If aesthetic grabs you then what he builds is a sense of foreboding and a lot of visuals that stick with you, the parts of films that only seem to come to mind in a darkened house when you hesitate to flip off the last light switch before going to bed. Another Perkins film you can’t unsee.